Club Zero
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A teacher at an international boarding school forms a dangerous bond with five students during a conscious eating class.
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At an international boarding school, an unassuming, yet rigorous, Miss Novak (Mia Wasikowska) joins the teaching staff to instruct a new class on “conscious eating.” Her impressionable teenage students each have their own reasons for joining the class – to improve fitness, reduce their carbon footprint, or get extra credit. Although early lectures focus on mindful consumption, Miss Novak’s discussions soon become increasingly disordered and extreme. A suspicious headmistress, concerned parents and the failing health of her students lead everyone to question the inscrutable Miss Novak’s motivations for teaching the class. As a few devoted pupils fall deeper under her cult-like tutelage, they are given a new, even more sinister goal to aspire to – joining the ominous “Club Zero.” Combining a pitch-black comedic sensibility with elements of body horror, "Club Zero" satirizes contemporary inclinations toward myopic insularity and blind faith brought on by anxieties regarding food, consumerism and environmental catastrophe. “Riddled with uncomfortable dialogue, audacious sequences, and a piercing score,” this “future cult classic” (Screen Rant), which had its world premiere in competition at Cannes, is the latest from Austrian writer/director Jessica Hausner, one of Europe’s most fearless and provocative auteurs.
"Club Zero is a film with a risky proposition: to understand how young people, especially those of Generation Z, dive headfirst into new trends to feel like they belong to something. But at what cost? That's what this complicated film by Jessica Hausner (Little Joe) seeks to understand. Complicated, not because it has any complexity, but because it tackles a thorny issue (this particular behavior) and further complicates it by addressing eating disorders, with young people stopping eating for the sake of a better world. With not much material to discuss, the film ends up going in circles and dangerously falling into emptiness. However, Hausner still manages to find some space to reflect on where the world is heading and, above all, where this dangerous herd behavior is taking us — something that, ultimately, the film itself ends up embracing by adhering to trends reminiscent of Wes Anderson's style and Greek cinema aesthetics."