The Blackcoat's Daughter (2017)
The Blackcoat's Daughter
”A boarding school student and her friend face a sinister presence during winter break.”
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Why watch this film?
Although it was released after I am the Pretty Thing that Lives in the House, The Blackcoat's Daughter (also known as February) is Longlegs director Oz Perkins' debut feature film, and from here one could already see the marks that would distinguish his later filmography: young women as protagonists of stories as minimalist as their production design, sound work, and camerawork, converging to create atmospheres that disturb through their stillness. In this film, the plot follows three young women (Kiernan Shipka, Lucy Boynton, and Emma Roberts), whose paths intersect in a story of loneliness and violence.
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Plot summary
Two terrified girls must battle a mysterious evil force when they get left behind at their boarding school over winter break in this chilling and suspenseful horror film.
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From the same director
Gretel & Hansel
Starring Sophia Lillis (the young version of the character Beverly in the most recent cinematic adaptation of 'It: The Thing'), this is a reinterpretation of 'Hansel & Gretel', the classic fairy tale, but aligned with films like Robert Eggers' 'The Witch' - that is, carrying on the nightmare and occultism. With 'Gretel & Hansel', director Oz Perkins (also responsible for 'The Blackcoat's Daughter') puts less emphasis on a fast narrative rhythm and "easy scares" to focus on creating a disturbing and hypnotic atmosphere - with the brilliant photography of Mexican Galo Olivares ('Roma') - in addition to telling an intelligent story of female empowerment. It may be a somewhat parsimonious and contemplative feature film for those who prefer more commercial horror cinema, but those looking for a more interesting proposal will certainly be satisfied.
Longlegs
Longlegs is a horror thriller directed by Osgood "Oz" Perkins, known for works like Gretel & Hansel. Set in the 90s, the plot follows an FBI special agent, Lee Harker (Maika Monroe, from It Follows), whose mysterious clairvoyance leads her to be recruited for the case involving the titular serial killer (Nicolas Cage). The investigation, however, leads her to uncover a sinister secret rooted in her past. Longlegs maintains a contemplative, slow pace, creating dark, oppressive, and hypnotic imagery to forge a disturbing atmosphere that echoes its themes of deep moral and familial corruption. The script weakens starting in the second act, and Nicolas Cage is as polarizing as ever. However, Perkins offers a sensory experience that departs from cheap thrills and mundane jump scares (and which is much more impactful in a movie theater).
I Am the Pretty Thing That Lives in the House
Osgood Perkins' second film (though the first to be released) is even more minimalist, yet imbued with contemporary gothic overtones. I Am the Pretty Thing That Lives in the House follows a private nurse (Ruth Wilson) who must move into the remote home of a famous writer (Paula Prentiss), suffering from dementia. However, she soon suspects that the house is haunted and that her fate echoes that of the writer's sister who died decades earlier.
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