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Why watch this film?
Two years after the shocking first movie, the sequel 'Happy Death Day 2U' continues its interesting approach to terror with an ambitious concept that mixes science-fiction, mystery and comedy. The feature film takes risks with a humor that borders on the absurd, but the real differentiator is the great performances. In the end, we have a rarity: a sequel that surpasses the predecessor, making it even better.
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Filmelier
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Plot summary
Tree Gelbman discovers that dying over and over was surprisingly easier than the dangers that lie ahead.
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From the same director
![Happy Death Day](https://media.filmelier.com/images/filmes/thumb/happy-death-day10756.jpeg)
Happy Death Day
Much of the audience and critics sum up the essence of 'A Morte Te Dá Parabéns' as a mix of slashers like 'Panic' or 'Halloween', with 'Groundhog Day', the comedy of which Bill Murray also gets stuck in the same day (although some also consider there's something of 'Mean Girls' in the recipe). Certainly it would be an accurate comparison, and although it could make you think this movie has very little originality, the truth is it has several merits. The main one is that 'Happy Death Day', almost identically to 'Groundhog Day', focuses on a totally rude and unpleasant main character, who gradually realizes her own behavior and tries to improve as the person she is with each time she relives the same day. Lead actress Jessica Rothe ('La La Land') convinces in all phases of Tree's progression, from her side as a spoiled and cruel child, through moments of comedy to her redemption and heroine phase. So no, it's not the most original horror movie out there, but it's very entertaining thanks to the charisma of its lead actress and a satisfactory cast.
![We Have a Ghost](https://media.filmelier.com/tit/mNRZg6/thumb/we-have-a-ghost_BoazO-0.jpeg)
We Have a Ghost
If you remember the classic movie The Haunted Mansion with Eddie Murphy, then you'll find something similar in this Netflix movie. We Have a Ghost is the story of a family that moves into a typical haunted house, where a ghost (David Harbour, Stranger Things) resides and doesn't remember what happened, so the family decides to solve the mystery. It's a wild mix of genres, from action to comedy, horror, and mystery. It's not always very coherent, but it's very entertaining. Plus, Jennifer Coolidge's (The White Lotus) performance is very funny.
![Freaky](https://media.filmelier.com/tit/sN1WJD/thumb/freaky_dDYksmQ.jpeg)
Freaky
If you liked the 'Happy Death Day' franchise movies, 'Freaky' is definitely a good pick. Although director Christopher Landon doesn't repeat his performance from the first 'Happy Death Day', there is a good mix of comedy and horror here as we follow the journey of this girl (Kathryn Newton) whose consciousness is swapped with that of a serial killer (Vince Vaughn). The suspense and terror aren't as sharp - despite the constant presence of blood and violence. The highlight is really this consciousness-swapping plot, in the style of 'Freaky Friday', where Vince Vaughn is sure to make anyone laugh with his teenage girl types and mannerisms.
Horror
![Wake Up](https://media.filmelier.com/tit/Dx35TC/thumb/wake-up_FNMBqqY.jpeg)
Wake Up
A group of young activists set out to make an environmental statement by vandalizing a home superstore as it closes. But their plan goes terribly wrong when they become trapped inside and must face a deranged security guard with a gruesome passion for primitive hunting. As the night fills with violence and terror, the teenagers find themselves in a desperate fight for their lives.
![The Blackcoat's Daughter](https://media.filmelier.com/tit/xi3FcO/thumb/the-blackcoats-daughter_PIi59NU.jpeg)
The Blackcoat's Daughter
Although it was released after I am the Pretty Thing that Lives in the House, The Blackcoat's Daughter (also known as February) is Longlegs director Oz Perkins' debut feature film, and from here one could already see the marks that would distinguish his later filmography: young women as protagonists of stories as minimalist as their production design, sound work, and camerawork, converging to create atmospheres that disturb through their stillness. In this film, the plot follows three young women (Kiernan Shipka, Lucy Boynton, and Emma Roberts), whose paths intersect in a story of loneliness and violence.
![I Am the Pretty Thing That Lives in the House](https://media.filmelier.com/tit/PAcpmi/thumb/i-am-the-pretty-thing-that-lives-in-the-house_x37kZ40.jpeg)
I Am the Pretty Thing That Lives in the House
Osgood Perkins' second film (though the first to be released) is even more minimalist, yet imbued with contemporary gothic overtones. I Am the Pretty Thing That Lives in the House follows a private nurse (Ruth Wilson) who must move into the remote home of a famous writer (Paula Prentiss), suffering from dementia. However, she soon suspects that the house is haunted and that her fate echoes that of the writer's sister who died decades earlier.
The Hallow
A family moves to a remote house in rural Ireland and finds themselves in a fight for survival with an ancient evil living in the secluded woods.
![The Collection](https://media.filmelier.com/tit/3Wrr8N/thumb/the-collection_o48TMqE.jpeg)