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Why watch this film?
Alien: Romulus might bring a sense of fatigue — yet another movie in the Alien franchise that seems to be recycling the same ideas since the early films from the 1970s and 1980s. The good news, however, is that Romulus is far from being just another tired, anemic, lifeless rehash. Directed by Fede Alvarez (Don't Breathe, Evil Dead), the film creates an atmosphere reminiscent — very much so! — of Blade Runner to immerse us in a dystopian future devoid of any hope. Rain (Cailee Spaeny) wants to escape this tragic and inevitable fate and find a planet where she can finally live. And it’s on the spaceship taking her to this supposed place, alongside friends and an artificial person (David Jonsson), that things go off the rails. It’s the best recreation of the cat-and-mouse game on a ship since Alien, playing more with sounds, shadows, and hidden dangers. And the ending, which might be quite divisive, isn’t afraid to be ridiculous: with an inspired Cailee Spaeny, it delivers a conclusion that provokes, prods, and changes the way we see the saga.
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Plot summary
While scavenging the deep ends of a derelict space station, a group of young space colonizers come face to face with the most terrifying life form in the universe.
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Do you know the expression “don’t mess with a winning team”? It definitely applies to the story behind the 'Millennium' franchise. Inspired by the late Stieg Larsson's books, the movie saga started with the Swedish adaptation, starring Michael Nyqvist and Noomi Rapace as Mikael and Lisbeth. It was a well-crafted trilogy. Then, Sony Pictures took on the responsibility of making the American version. Another success with 'Millennium: The Men Who Didn't Love Women', directed by David Fincher and starring Rooney Mara and Daniel Craig. But instead of continuing where they had left off in 2018, the studio decided to do a reboot with 'Millennium: The Girl In The Spider's Web', inspired by a book written after Larsson's death by author David Lagercrantz. Instead of Craig and Mara, the actors Sverrir Gudnason and Claire Foy (from 'The Crown'). Even though it was well intended and stylish, and could please those who don't know the previous story of this franchise, 'Millennium: The Girl In The Spider's Web' stands out for its very different tone from the other films. Filmmaker Fede Alvarez ('Don't Breathe') makes everything slower, more contemplative, creating suspense based on the setting. The highlight is Foy, who after playing the Queen in the Netflix series brings a different interpretation to Lisbeth Salander, one of the most memorable characters of Nordic literature.
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Don't Breathe
At first, robbing a blind man's house seems like an easy task. Even cruel, since the visually impaired couldn't defend himself properly. However, that isn't the case with the blind man in the movie 'Don't Breathe'. Highly praised by critics and an unexpected box office success, the film follows the misadventures of a group of young robbers who enter an elderly man's house who can't see. What they don't expect is that the impaired man masters martial arts and will start a real game of cat and mouse -- even without being able to see an inch ahead. Even though director and screenwriter Fede Alvarez (‘Evil Dead’) commits some exaggerations, such as the scene involving a syringe, the rhythm is one of holding your breath, as the original English title suggests. One of those good, tense entertainments that make you stay glued to your couch. Special mention to Stephen Lang's (‘Avatar’) performance.
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Evil Dead
Pointed out as a "reimagining" of the first installment of the 'Evil Dead' franchise created by Sam Raimi, this movie can be summed up as a much more serious remake, with an almost identical premise but without Ash Williams (Bruce Campbell). A group of young friends decide to spend a weekend in a remote cabin in the middle of the forest, but the unfortunate finding of the Book of the Dead (or Necronomicon) puts them against brutal demonic possessions. The physical comedy established by Campbell and Raimi since the second installment is forgotten here, in favor of a subtext about dependency and mental illnesses that works surprisingly well together with an extreme level of violence, perhaps the highest of the franchise. Although it deviates from what had been seen in earlier editions in terms of tone, it is a worthy - and effective - addition to the iconic horror franchise.
Sci-Fi & Fantasy
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Dry Ground Burning
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The Hobbit: An Unexpected Journey
Academy Award®-winning filmmaker Peter Jackson returns to Middle-earth with the first of three films based on J.R.R. Tolkien's enduring masterpiece. Set in Middle-earth 60 years before the epic Lord of the Rings trilogy, the adventure follows the journey of Bilbo Baggins, who is swept into an epic quest to reclaim the lost Dwarf Kingdom from the fearsome dragon Smaug. Approached out of the blue by the wizard Gandalf, Bilbo finds himself joining a company of dwarves on a journey into wild, treacherous lands swarming with beasts of every ilk. Although their goal lies to the East, they must first escape the goblin tunnels, where Bilbo meets the creature that will change his life forever...Gollum. Alone with Gollum, on the shores of an underground lake, the unassuming Bilbo gains possession of Gollum's "precious" -- a simple, gold ring tied to the fate of all Middle-earth.
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