Plot summary
12-year-old Bailey lives with her single dad Bug and brother Hunter in a squat in North Kent. Bug doesn’t have much time for his kids, and Bailey, who is approaching puberty, seeks attention and adventure elsewhere.
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![Cow](https://media.filmelier.com/tit/Mv6TIQ/thumb/cow_qVE6Pqw.jpeg)
Cow
"Cow" could easily fall into the propaganda film category - those movies that just spew out shocking opinions to sensitize the audience without anything concrete. However, nothing of the sort. With a simple premise, filmmaker Andrea Arnold ("American Honey") takes her camera and follows the life of Luma, a Dutch dairy cow somewhere in the UK. Right at the beginning of the feature, the friendly cow has her first calf - a little calf that is quickly taken away from its mother. From there, the filmmaker shows two paths: on one side, the loneliness and painful routine of Luma; on the other, the first steps of the calf in the life of this dairy farm. Thus, "Cow" begins to delve into the routine of abuses that this farm promotes. There is a feeling that things happen even with care for those animals - the farmers listen to music, call the cows by name and not by numbers, and so on. But it still remains an environment of animal exploitation. The protagonist cow, Luma, cannot stay with her calf. She has no control over her life, her desires and body, her needs. It is a hard and painful movie, difficult to watch, and it gives you an almost immediate melancholy. So, here's a warning of sensitive content: if you don't like seeing animals suffer or things like that, it's better to stay away - despite the urgent message.
Drama
![Manticore](https://media.filmelier.com/tit/VKNTKn/thumb/manticore_GQcu2YQ.jpeg)
Manticore
Julian is a successful video game designer tortured by a dark secret. When Diana appears in his life, Julian will begin to see a chance at happiness.
![Como el mar](https://media.filmelier.com/tit/2aOlxO/thumb/como-el-mar_U5SEWNw.jpeg)
Como el mar
Como el mar is an Argentine film where a young woman, Azul (Zoe Hochbaum), discovers that her supposed older sister (Sofía Gala Castiglione) is actually her biological mother, and the mother who has just died was really her grandmother. Seeking answers about her father, they embark on a journey to Uruguay, where they must transform their bond. This road movie moves at a slow, contemplative pace, focusing more on exploring feelings than events, which may seem too simplistic for those looking for complex dramas. However, it's an emotional film, and the performance of the legendary Carmen Maura (Women on the Verge of a Nervous Breakdown) is definitely worth watching.
![My First Film](https://media.filmelier.com/tit/qadJDP/thumb/my-first-film_SMEtMCI.jpeg)
My First Film
Many filmmakers spend their lives trying to sustain their creative careers, unaware of their missteps. In My First Film, the debut feature of director Zia Anger (who has created videos for artists like Mitski and Beach House), we see the opposite: a filmmaker who looks back and reconstructs what went wrong in her disastrous first attempt when she was younger. Past and present blend with reality and fiction (featuring artists like Odessa Young), in a film that recreates not just events but emotions. There are many meta and revisionist films, but My First Film is the most fascinating since 2018's Shirkers, at the very least.
![Borders of Love](https://media.filmelier.com/tit/6TYKce/thumb/borders-of-love_r8Ol8Xg.jpeg)
Borders of Love
Petr and Hana, who after years together share their unspoken erotic fantasies. What begins as an innocent conversation gradually turns into experimentation with other partners and increasingly pushing the limits of just how far they can go with a non-monogamous relationship before it gets out of hand.
![Truth](https://media.filmelier.com/tit/EbZ1KB/thumb/truth_avlhtDQ.jpeg)