Trailer
Why watch this film?
Which Brings me to You is a romance of winding paths. In the plot, two romantics (Lucy Hale and Nat Wolff), both weary of life and impossible loves, meet at a wedding and nearly embark on overwhelming passion — with all the mistakes that could entail. It's then that they agree to exchange honest confessions about their past, seeking a fresh chance at love. A solid modern romance that convinces with its dilemmas.
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Filmelier
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Plot summary
Two romantic burnouts, Jane and Will, are immediately drawn to each other at a mutual friend’s wedding. After a disastrous hookup in the coatroom, the two spend the next 24 hours together, trading candid confessions of messy histories and heartbreak, on the off chance that this fling might be the real thing. Lucy Hale and Nat Wolff star in this hilarious tale from the team behind The Hating Game.
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From the same director
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Then Came You
It seems like the teen illness subgenre is something that won't go out of style in cinemas anytime soon. Since movies like 'The Perks of Being a Wallflower' and, especially, 'The Fault in Our Stars', we get three or four stories of this kind every year, at least. For 2021, one of the additions to this segment is 'Then Came You'. Starring Asa Butterfield ('Ender's Game') and Maisie Williams ('Game of Thrones'), the feature film tells the story of a hypochondriac baggage handler at an airport who must overcome his fears to help a British teenager fulfill her bucket list while dealing with a terminal illness. It's a movie full of clichés and stereotypes, never escaping the generic pool this subgenre has gotten itself into. However, Butterfield and Williams are great, exciting and moving the audience.
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The Hating Game
For adult audiences who enjoy romantic comedies, 'The Hating Game' is a great choice. Starring Lucy Hale ('Scream 4' and 'Truth or Dare'), the movie tells the story of two co-workers competing for the same job, and motivated by rivalry they start to tease each other more and more. The teasing doesn't take long to turn into flirting, and soon the rivals are involved in a forbidden and sensual romance. It's a simple story that doesn't bring anything new, but it's a fun and unpretentious choice, as well as spicy, to watch as a couple and create that atmosphere.
Romance
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The Nature of Love
Sophia, a 40-year-old philosophy professor, has been in a stable and conventional marriage to Xavier for a decade. From gallery openings to endless dinner parties, ten years have flown by. When Sophia meets Sylvain, a craftsman renovating the couple’s new country house, Sophia’s world is turned upside down. The two begin a passionate affair fueled by their irresistible physical connection. However, Sophia comes from a wealthy family of intellectuals, while Sylvain comes from a working-class family of manual workers. As they get to know each other on a deeper level, Sophia begins to question her own values after abandoning herself to her great romantic impulses. Director Monia Chokri delivers a smart and sexy romantic comedy, infusing it with spiky energy and fresh perspective, upending genre and gender conventions.
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Goyo
Goyo is a romantic film directed by Argentine filmmaker Marcos Carnevale (known for movies like Elsa & Fred). It's about a museum guide with Asperger's syndrome (Nicolás Furtado) who unexpectedly falls in love with the museum's new security guard (Nancy Dupláa), an older woman disillusioned with love. The story is appreciated for its touches of humor and the portrayal of a romantic relationship for a neurodivergent person (in this case, on the autism spectrum). However, the story is somewhat superficial and melodramatic. You'll enjoy it if you're looking for a tender, uncomplicated romance to enjoy with a partner.
![Jeanne du Barry](https://media.filmelier.com/tit/KSLSYD/thumb/jeanne-du-barry_Nv9mF4U.jpeg)
Jeanne du Barry
Jeanne du Barry is a French period drama, directed and starring Maïwenn (known for The Fifth Element), about the courtesan and the last official mistress of King Louis XV (Johnny Depp) of France. The film chronicles her life from her childhood and formative years as a servant's daughter, to her rise in French society through sex, alliances, and strategic marriages. Although well-crafted, it is a very conventional drama that, in its making, invites not very favorable comparisons with Barry Lyndon. While Kubrick's classic manages to be a very subtle satire, Maïwenn's film takes itself too seriously. This, considering its representation of the female gender and the backgrounds of its two main stars, not only does not help but invites questioning the purpose of telling this story, with so little hope for its protagonist. You will enjoy it if you like period dramas with sumptuous costumes, or if you are an avid follower of Johnny Depp.
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