Trailer
Why watch this film?
This award-winning movie (winner of the Oscar for Best Foreign Language Film, and receiving five other nods) is a touching portrait about old age and love in the twilight years. The secret behind 'Amour' lies in the performances of leads Jean-Louis Tritignant and Emmanuelle Riva, as well as the great script.
![Filmelier](https://media.filmelier.com/images/curadores/imagem/6560fa8b2d992d63beae7cd4cf0bc9b8.png)
Filmelier
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Plot summary
Georges and Anne have known a lifetime of love within their intimate marriage. Though their bond has survived time’s test, it’s about to meet its greatest challenge.
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From the same director
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Happy End
'Happy End' is directed by the Austrian filmmaker Michael Haneke, the same director of 'Love', and offers a good critique of upper middle class families. It's an ambitious, provocative production and reminds of the sarcastic chronicles of the French filmmaker and critic Claude Chabrol - although in a less intricate way. It was part of the official selection at Cannes Film Festival, competing for the Palme d'Or, although it is far from being one of the best films of the director.
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The director and screenwriter Michael Haneke builds an atmosphere of tension and suspense while examining the beginnings of the feelings that would lead the Germans to Nazism. The black and white photography further contributes to this atmosphere, in a work that won the Palme d'Or in 2009.
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The Piano Teacher
A cold and repressed piano teacher leads a double life away from her mother. After falling in love with one of her students, a game of seduction and power is unleashed. With 22 nominations at international festivals, the movie won Best Actor, Best Actress, and the Jury Prize at Cannes. And if that weren't enough, director Michael Haneke once again teams up with Isabelle Huppert after the perverse drama of 'Happy End'.
Drama
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Manticore
Julian is a successful video game designer tortured by a dark secret. When Diana appears in his life, Julian will begin to see a chance at happiness.
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Como el mar
Como el mar is an Argentine film where a young woman, Azul (Zoe Hochbaum), discovers that her supposed older sister (Sofía Gala Castiglione) is actually her biological mother, and the mother who has just died was really her grandmother. Seeking answers about her father, they embark on a journey to Uruguay, where they must transform their bond. This road movie moves at a slow, contemplative pace, focusing more on exploring feelings than events, which may seem too simplistic for those looking for complex dramas. However, it's an emotional film, and the performance of the legendary Carmen Maura (Women on the Verge of a Nervous Breakdown) is definitely worth watching.
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My First Film
Many filmmakers spend their lives trying to sustain their creative careers, unaware of their missteps. In My First Film, the debut feature of director Zia Anger (who has created videos for artists like Mitski and Beach House), we see the opposite: a filmmaker who looks back and reconstructs what went wrong in her disastrous first attempt when she was younger. Past and present blend with reality and fiction (featuring artists like Odessa Young), in a film that recreates not just events but emotions. There are many meta and revisionist films, but My First Film is the most fascinating since 2018's Shirkers, at the very least.
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Borders of Love
Petr and Hana, who after years together share their unspoken erotic fantasies. What begins as an innocent conversation gradually turns into experimentation with other partners and increasingly pushing the limits of just how far they can go with a non-monogamous relationship before it gets out of hand.
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