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Why watch this film?
Based on the play by George Axelrod (who also co-wrote the film's screenplay), this movie could very well be Billy Wilder's most iconic classic in his immense filmography, and that is already saying a lot for someone who directed Some Like it Hot, The Apartment, and Sunset Boulevard. The Seven Year Itch follows a man who, away from his wife and child for an extended period of time, begins to flirt with the prospect of infidelity, and is terribly tempted by a beautiful actress and model staying in his building (Marilyn Monroe). Filmed and released at a time when depicting such themes openly in cinema was prohibited due to the "Hays Code," The Seven Year Itch is one of the great examples of how Wilder and other directors managed to bring those themes to the big screen through suggestive images and dialogues, never explicit, playing with subtle double entendres. The result is an incomparable romantic comedy full of wit that also contains one of the most iconic images of the 20th century: that of Marilyn Manson in her white dress, with her skirt being lifted up by the subway's air vent, which catapulted her to legend status.
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Filmelier
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Plot summary
When his family goes away for the summer, a hitherto faithful husband with an overactive imagination is tempted by a beautiful neighbor.
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From the same director
![Sunset Boulevard](https://media.filmelier.com/tit/skvPE9/thumb/sunset-boulevard_q1-GyYE.jpeg)
Sunset Boulevard
Just saying that 'Sunset Boulevard' is considered by many to be the best movie about Hollywood ever made. The original title, 'Sunset Boulevard', is a reference to the avenue parallel to Hollywood Boulevard - where, in the Golden Age of cinema, there were great studios and stars lived in their huge mansions. In Billy Wilder's (director of 'Some Like it Hot') masterpiece, we have a very unusual meta-fictional story for its time, which earned him the Oscar for best screenplay (music and art direction were also awarded). It's an essential classic for those who are fans of Hollywood cinema or the seventh art in general.
![The Apartment](https://media.filmelier.com/images/filmes/thumb/the-apartment13329.jpeg)
The Apartment
Directed by Billy Wilder (of the brilliant 'A Double Life'), 'The Apartment' is the same kind of cynical, adult comedy that began to tackle more daring themes as restrictions of the Motion Picture Production Code (or "Hays Code") started to become looser in the Hollywood circuit. Winner of five Academy Awards (including Best Picture, Best Director and Best Screenplay) and nominated for another five, it is a movie that dared at the time to address adultery with humor, but also a good dose of melancholy, taking advantage of this to criticize the double standards of the era.
![Some Like It Hot](https://media.filmelier.com/tit/RGUfsQ/thumb/some-like-it-hot_yYXCz-4.jpeg)
Some Like It Hot
While Marilyn tried to break away from the "dumb blonde" archetype on screen (achieving a good performance in a more interesting role in 'Never Been Kissed'), these types of characters would haunt her in her later films. Her second-to-last, and second with Billy Wilder, was 'Some Like It Hot'. The story is about two jazz musicians (Tony Curtis and Jack Lemmon) who, to escape the mafia, decide to pass themselves off as women and join a female band on their way to a show in Miami, though they end up falling in love with the vocalist (Monroe). It is one of the most interesting films of the career of all involved for cleverly and classily escaping many of the restrictions of the "Hays Code," which regulated and censored the themes represented on screen at the time. The production manages to touch on issues such as homosexuality and cross-dressing, as well as showing a man and a woman in the same bed (something forbidden at the time), which earned it a place among the best films of all time, despite Monroe's dislike for her role.
Romance
![The Nature of Love](https://media.filmelier.com/tit/u4i1uk/thumb/the-nature-of-love_iWsIW8M.jpeg)
The Nature of Love
Sophia, a 40-year-old philosophy professor, has been in a stable and conventional marriage to Xavier for a decade. From gallery openings to endless dinner parties, ten years have flown by. When Sophia meets Sylvain, a craftsman renovating the couple’s new country house, Sophia’s world is turned upside down. The two begin a passionate affair fueled by their irresistible physical connection. However, Sophia comes from a wealthy family of intellectuals, while Sylvain comes from a working-class family of manual workers. As they get to know each other on a deeper level, Sophia begins to question her own values after abandoning herself to her great romantic impulses. Director Monia Chokri delivers a smart and sexy romantic comedy, infusing it with spiky energy and fresh perspective, upending genre and gender conventions.
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Goyo
Goyo is a romantic film directed by Argentine filmmaker Marcos Carnevale (known for movies like Elsa & Fred). It's about a museum guide with Asperger's syndrome (Nicolás Furtado) who unexpectedly falls in love with the museum's new security guard (Nancy Dupláa), an older woman disillusioned with love. The story is appreciated for its touches of humor and the portrayal of a romantic relationship for a neurodivergent person (in this case, on the autism spectrum). However, the story is somewhat superficial and melodramatic. You'll enjoy it if you're looking for a tender, uncomplicated romance to enjoy with a partner.
![Jeanne du Barry](https://media.filmelier.com/tit/KSLSYD/thumb/jeanne-du-barry_Nv9mF4U.jpeg)
Jeanne du Barry
Jeanne du Barry is a French period drama, directed and starring Maïwenn (known for The Fifth Element), about the courtesan and the last official mistress of King Louis XV (Johnny Depp) of France. The film chronicles her life from her childhood and formative years as a servant's daughter, to her rise in French society through sex, alliances, and strategic marriages. Although well-crafted, it is a very conventional drama that, in its making, invites not very favorable comparisons with Barry Lyndon. While Kubrick's classic manages to be a very subtle satire, Maïwenn's film takes itself too seriously. This, considering its representation of the female gender and the backgrounds of its two main stars, not only does not help but invites questioning the purpose of telling this story, with so little hope for its protagonist. You will enjoy it if you like period dramas with sumptuous costumes, or if you are an avid follower of Johnny Depp.
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